As Producer
A Thin Line Between Love and Hate
1996
Producer
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As Executive Producer
Keep the Faith, Baby
2002
Executive Producer (TV Movie)
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Early Career Productions (at Casablanca Records/Filmworks)
Thank God It's Friday
1978
Business Affairs Executive
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The Hollywood Knights
1980
Production Executive
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$1B+
Worldwide Revenue Generated
Through ElephantWalk Entertainment since 1991, Doug has consistently delivered exceptional results, attracting investment from major Hollywood studios and networks including Warner Brothers, Sony Pictures, Fox, and all major broadcast networks.
Career Journey
1977-1980
Casablanca Records & Filmworks
Started as assistant to Peter Guber, Chairman of Casablanca Records and Filmworks, quickly rising to Director of legal and business affairs. Worked on major productions including "Thank God It's Friday," "Foxes," and "The Hollywood Knights."
1980-1981
Avco Embassy Pictures
Served as VP and head of TV Content for Avco Embassy Pictures, expanding expertise in television production and content development.
1982-1983
Solar Records
President of Video and Film for Solar Records, building expertise in music industry operations and video production.
Late 1980s
Quincy Jones Entertainment
Served as VP of Production for Quincy Jones Entertainment, working alongside one of the most influential figures in entertainment history and gaining invaluable industry connections.
1984-1991
Jackson/McHenry Company & ElephantWalk Entertainment
Founded Jackson/McHenry Company in 1984 with partner George Jackson, producing for Warner Brothers. Established ElephantWalk Entertainment in 1986, launching what would become a billion-dollar revenue generating production company. Produced breakthrough hit "Krush Groove" (1985) and the iconic "New Jack City" (1991).
1991-Present
Directorial Career & Continued Production
Made directorial debut with "House Party 2" (1991). Directed critically acclaimed films including "Jason's Lyric" (1994), "The Brothers" (2001), and "Kingdom Come" (2001). Continued producing through ElephantWalk Entertainment with major Hollywood partnerships.
2013-Present
Soul of the South Television
Named CEO and Principal of Soul of the South Television, a national broadcast TV network (Diginet), expanding influence in the evolving digital television landscape and culturally relevant programming.
Education & Military Background
Stanford University
Bachelor of Arts in Economics (1973)
First African American Student Body President in university history
First African American Student Board Trustee
Harvard Law School
Juris Doctor (JD) - 1977
Successfully completed prestigious legal program
Harvard Business School
Master of Business Administration (MBA) - 1977
Dual JD/MBA program graduate
California Bar
Licensed Attorney
Passed California State Bar Examination (1977)
Military Background
Son of US Army Colonel Irvin McHenry
Born at Fort Knox, Kentucky
Grew up on Army Bases, instilling discipline and leadership values
Eagle Scout
Achieved highest rank in Boy Scouts
Demonstrating early leadership and commitment to excellence
Current Leadership Roles
Soul of the South Television
CEO & Principal - Leading a national broadcast TV network (Diginet) focused on culturally relevant programming and community engagement across the southern United States.
ElephantWalk Entertainment
Managing Partner - Overseeing the production company that has generated over $1 billion in worldwide revenue since 1986, with partnerships across major Hollywood studios.
Board Positions
Currently serves on the Boards of Wessler Media Corp and Slang TV, LLC., providing strategic guidance to emerging media companies and technology platforms.
Becker Consulting
Partner (since 2022) - Providing strategic consulting services for media and entertainment ventures.
Major Hollywood Partnerships
Throughout his career, Doug has attracted investment and partnerships from Hollywood's most prestigious companies, demonstrating his ability to build relationships and deliver results at the highest levels of the entertainment industry.
Warner Brothers
Strategic partnership and investment in ElephantWalk Entertainment projects, leveraging Warner's distribution and production capabilities. Founding partner for Jackson/McHenry Company.
Twenty First Century Fox
Major partnership for content development and distribution, accessing Fox's global network and resources for multiple film projects.
Sony Pictures
Investment and collaboration on multiple film and television projects, utilizing Sony's international distribution network.
Network Television
Direct partnerships with ABC, NBC, and CBS for television content creation, production, and distribution across major broadcast networks.
New Line Cinema
Produced the groundbreaking "New Jack City" (1991) for New Line Cinema, one of the studio's most successful films and a cultural phenomenon.
Savoy Pictures
Investment partnership during the independent film boom, contributing to diverse and innovative content creation.
Professional Memberships & Recognition
Academy of Motion Pictures Arts and Sciences
Oscar voting member since 1991, recognizing his significant contribution to the film industry
Producers Guild of America (PGA)
Professional organization for film and television producers
Directors Guild of America (DGA)
Industry association member since 1992 for film and television directors
National Association of Broadcasters (NAB)
Broadcast Leadership Training Program (BLT) member
Black Filmmakers Foundation
Board member of the Summit from 1990 to 1998, supporting emerging Black filmmakers
Stanford Black Alumni Association
Active member supporting Stanford's Black community and students
Harvard African American Business School Alumni
Active member of Harvard's African American business community
Signature Films & Cultural Impact
New Jack City (1991)
A landmark film in African American cinema, "New Jack City" became a cultural phenomenon and box office success. Starring Wesley Snipes, Ice-T, and Chris Rock, the film addressed urban drug culture with unprecedented authenticity and style. McHenry's production work helped launch the careers of several major stars and established New Line Cinema as a major player in urban cinema.
Jason's Lyric (1994)
McHenry's directorial work on "Jason's Lyric" showcased his ability to craft emotionally resonant drama. Starring Jada Pinkett Smith, Allen Payne, and Forest Whitaker, the film explored themes of family, redemption, and love in urban America. The film is noted for its poetic cinematography and powerful performances.
The Brothers (2001)
Directed by McHenry, "The Brothers" offered a sophisticated look at professional African American men navigating relationships and commitment. The ensemble cast and witty dialogue resonated with audiences, demonstrating McHenry's versatility as a filmmaker.
House Party Series (1991-2013)
McHenry's work on the "House Party" franchise as producer and director helped define a generation of hip-hop influenced cinema. The films combined comedy, music, and coming-of-age themes, creating a lasting cultural legacy.
Krush Groove (1985)
One of McHenry's early production successes, "Krush Groove" captured the emergence of hip-hop culture and featured performances by Run-DMC, LL Cool J, and the Beastie Boys. The film became a time capsule of hip-hop's golden era and launched several music careers.
Leadership Philosophy & Expertise
Doug's unique combination of legal training, business acumen, and creative vision has positioned him as a leader who can navigate the complex intersection of art and commerce in the entertainment industry. His Stanford economics background and Harvard JD/MBA provide him with the analytical tools to evaluate opportunities and mitigate risks while maintaining creative integrity.
His military upbringing as the son of an Army Colonel instilled discipline and strategic thinking, while his historic achievement as Stanford's first African American Student Body President demonstrates his ability to break barriers and lead diverse organizations. The Eagle Scout recognition reflects his early commitment to leadership, service, and excellence.
Through ElephantWalk Entertainment, Doug has proven his ability to create sustainable business models that attract major studio investment while maintaining creative independence. His films have consistently addressed authentic African American experiences while achieving commercial success, proving that culturally specific stories have universal appeal when told with integrity and skill.
His work with Soul of the South Television represents his commitment to culturally relevant programming that serves underrepresented communities while building profitable enterprises. This approach combines social impact with business sustainability—a philosophy that has defined his entire career.
Vision & Impact
Doug's four decades in entertainment have been marked by consistent innovation and adaptation to industry changes. From traditional theatrical distribution to cable television, home video, streaming services, and digital broadcast networks, he has successfully navigated every major transformation in media distribution and monetization.
His filmography represents over $1 billion in worldwide revenue, but more importantly, his films have shaped cultural conversations and created opportunities for diverse talent both in front of and behind the camera. Films like "New Jack City" and "Jason's Lyric" are studied in film schools and remain culturally relevant decades after their release.
His role at DDP represents the next evolution of his career—applying entertainment industry expertise to sustainable development and community impact. The combination of his legal background, business acumen, and deep understanding of content monetization makes him uniquely qualified to evaluate and develop the entertainment components of DDP's municipal development projects.
Doug's vision extends beyond traditional entertainment to encompass how media and content can drive economic development, create jobs, and build sustainable revenue streams for communities. His track record demonstrates that this vision is not aspirational—it's proven and achievable. He brings to DDP not just entertainment credibility, but a sophisticated understanding of how content creation intersects with real estate development, community building, and long-term value creation.